Folk Art

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Entry Category: Folk Art

Arkansas Bluebird of Happiness

aka: Bluebird of Happiness
The original Arkansas Bluebird of Happiness was created by Leo Ward at Terra Studios near Durham (Washington County). Since their introduction in 1982, over nine million bluebirds have been sold. Each bird is individually crafted from molten glass by artisans at Terra Studios and is signed and dated. Though Terra Studios creates glass birds in many colors, the bluebird has always been the most popular choice. While living in San Diego, California, in the early 1970s, Leo Ward discovered a passion for glass blowing. Along with his wife, Rita, Ward opened a gift shop and constructed a glass furnace on the premises. When a city inspector discovered this furnace, the shop was closed, and the Wards moved to Arkansas, where …

Basketry

Basket making is the process of interlacing short flexible fibers to form a container using a process of coiling, knotting, plaiting, or weaving. Early inhabitants of Arkansas such as the Caddo and Quapaw made and used baskets. Basket making has continued in modern times in Arkansas but for different reasons. At first, baskets were made for agricultural purposes; they later became objects of beauty—a fine craft acknowledged throughout the country and created for contemplation and decoration for museums and homes. Prehistoric baskets have been found in dry bluff shelters in the Ozark Mountains. Because traditional baskets are made of natural materials such as vines, grass, reeds, bark, or split wood, they are fragile and perishable and have not held up …

Bittick, Helen Long

Helen Marie Long Bittick was an artist of the “primitive folk style,” meaning that she had no academic art training but developed her own unschooled, unique patterns of portraying her subjects. Helen Long was born on June 24, 1918, to Bette Ann Mangum and William Monroe Long on the Judge Level Farm between Washington (Hempstead County) and Hope (Hempstead County); she had three siblings. Her father ran a restaurant in Hope and farmed in McCaskill (Hempstead County). Long attended Brookwood School in Hope, the three-room schoolhouse in Friendship, and schools in McCaskill and Blevins (all in Hempstead County). She did not graduate from high school. She married Cloid Sykes Bittick on November 12, 1933, in Bingen (Hempstead County). They had …

Black, James

James Black, popularly known as the maker of the bowie knife, was one of the early pioneers of Arkansas and settled in the town of Washington (Hempstead County) in southwest Arkansas. James Black was born on May 1, 1800, in New Jersey; the names of his parents are unknown. His mother died when he was young, and his father remarried. Black did not get along well with his stepmother and ran away from home at the age of eight to Philadelphia, Pennsylvania. While in Philadelphia, he was taken in as an apprentice to a silverplater named Stephen Henderson. During that time, Black apparently became strongly skilled in the art of silverplating. In 1818, when he was eighteen years old, his …

Blues Music

The origins of the blues are murky, but the state of Arkansas seems to have hosted the music and its creators since its beginnings in North America and helped spread it worldwide. Blues is acknowledged as the root from which sprang jazz, rhythm and blues (R&B), rock and roll, and hip-hop; in addition, it has informed the genres of country and western, gospel, and bluegrass. Blues and its offspring have long since crossed the globe, but its standard-bearers are largely confined to the Mississippi River Delta, especially eastern Arkansas and western Mississippi. Emerging in part from call-and-response “field hollers” dating from the slavery era, blues had practitioners originally belonging to many different groups with their own musical styles. Most scholars believe …

Bowie Knife

The bowie knife, made popular in the 1830s, has evolved into a specific form in current use. The bowie knife was worn for defensive purposes; its primary function was for personal combat. It was designed to be part of a gentleman’s attire, and the key difference between the bowie knife and a hunting knife, a dagger, or a dirk was, initially, the quality of finish of the bowie. Bowie knives came in a variety of forms—with or without guards, with differently shaped blades—and often were adorned with silver and other decoration, sometimes including etching and/or engraving on their metal surfaces. The knife got its name from a pioneer family who settled in early Arkansas and Louisiana. Jim Bowie, the best …

Crop Circles

Crop circles are a relatively recent phenomenon in Arkansas, appearing in northeastern Arkansas wheat fields in 2003. Crop circles are geometric patterns, sometimes simple and other times astonishingly complex, that appear in fields of wheat, barley, rye, and other crops. The formations are created by a flattening of the stalks of grain; in the more refined crop circles, the grain is bent rather than broken. Crop circles have been reported as far back as the late seventeenth century in England, but it was an outbreak in England in the 1970s which brought the phenomenon worldwide attention. Thousands of formations were subsequently reported across the globe, leading to speculation that they were created by extraterrestrials or other paranormal entities, given the …

Folk Music

Folk music is part of a society’s “unofficial culture,” much of which is passed on through face-to-face contact among close-knit people. Early folk music in Arkansas falls into two broad categories: folksongs (which do not present a narrative) and ballads (which tell a story). Folksong collectors sought to record and preserve this traditional music in the twentieth century, with Vance Randolph, John Quincy Wolf, and others working in Arkansas. The lyric folksong form of the blues developed in the Arkansas and Mississippi Delta regions in the late nineteenth century among the first generation of African Americans to come of age after slavery. Protest music of the early to mid-twentieth century, dealing with labor and social conditions—as well as war, civil rights, and …

Gibson Baskets

The history of the Gibson family of basket makers—which, as of 2009, has produced split white oak baskets for four generations—parallels the history of basket making in the United States. The split white oak basket is distinctive to the Ozarks and is woven from thin, flexible splints used as ribs and weavers. The Gibson family has continued the tradition of making baskets using handmade tools and natural materials. The characteristics of a Gibson basket are a heavy hand-carved handle, herringbone weave on the flat rectangular basket bottom, and construction without nails. Christopher Columbus “Lum” Gibson (1865–1947) reportedly began making baskets in the 1880s and is said to have had a blind man as a teacher. His workbaskets were sold door …

King Crowley

King Crowley is the most famous archaeological fake produced in Arkansas and was originally part of a collection “found” in Jonesboro (Craighead County) along Crowley’s Ridge in the 1920s and 1930s. Despite the discoverer’s claim that the collection was an important archaeological find, modern researchers now refer to King Crowley and its companions as folk art instead of forgeries, as the pieces did not reproduce prehistoric artifacts. Dentler Rowland, a gunsmith and jeweler from Jonesboro, began selling these artifacts of a “lost” civilization in 1923, and he continued to do so until the 1930s. Rowland claimed to have discovered them while digging along Crowley’s Ridge, an erosional remnant within the Mississippi River Delta upon which Jonesboro was founded. Approximately eighty …

King, Helen Martin

Helen Martin King was one of Arkansas’s most unique artists, developing the almost-forgotten craft of rug hooking. She became a designer, teacher, and businesswoman, creating thousands of original designs, teaching classes, and creating cottage industries within the state. Helen Martin was born at Powhatan (Lawrence County) on September 20, 1895, the only child of John William Martin, a prosperous landowner and lumberman, and Clara Isabelle Norment Martin. Martin’s family moved to Batesville (Independence County) when she was a young child, and she acquired her elementary and high school education at the preparatory school of Arkansas College (now Lyon College). In 1913, at the age of eighteen, she married a local merchant, Fitzhugh Hail. Within a year of her marriage, both …

Miller, Nick

The artistry of stone carver Nick Miller is found in cemeteries throughout northwest Arkansas. The tombstones he made—crisp and legible well over a century later—employ the mourning symbols of his time: clasping hands, weeping willows, lambs, doves. Yet Miller’s bas-relief motifs and deeply incised lettering exhibit a level of skill and detail not generally found among contemporary carvers. All that is known about Nick Miller’s origins is that he was born in Germany. He never married, had no relatives in America, and is listed on the 1880 census as an “old batch” at age thirty-six. In addition to his distinctive carvings, Miller’s tablet-style tombstones are recognizable by his “Nick Miller,” “N. Miller,” or “N. M.” signature at the base. He …

Ozark Vernacular Architecture

Vernacular architecture is usually defined as structures that groups of people make for daily use—that is, buildings not designed by professional architects but representative of folk culture, produced by members of the community to meet certain needs or desires and guided by the conventions of locality. Ozark vernacular architecture is, therefore, that which was employed in the Ozark Mountains of Arkansas from the early nineteenth-century era of settlement until around 1930, when the internationally popular bungalow home began to be introduced into the region. Geographer Fred Kniffen, folklorist Henry Glassie, and several others have identified the Ozarks as belonging to the Upland South “stream” of vernacular architecture, sharing several characteristics with buildings in the Appalachian region, though there were also …

Quiltmaking

Quiltmaking is the creation of a bedspread, coverlet, or wall hanging by quilting, defined as tying or sewing three layers of material together. The art of quiltmaking was brought to Arkansas during the earliest days of settlement, and it had come to the United States from Great Britain and other western European countries. The art of quilting was probably introduced to Europe in the form of clothing worn under the armor of Turkish people, and quilting has been traced to ancient China, Egypt, and India. Exploring the Americas, most Spanish conquistadors wore quilted cotton jackets in place of armor due to the scarcity of iron. When armor was available, the quilted clothing may have been worn under it, as it …

Robes of Splendor

aka: Robes of the Three Villages
aka: Three Villages Robe
aka: Buffalo Dancers Robe
The “Robes of Splendor” are a pair of mid-eighteenth-century animal-hide robes believed to have been painted by a Quapaw artist and given to French colonists. The Three Villages Robe is believed to depict the French settlement at Arkansas Post and a battle scene between two groups of Native Americans, while the Buffalo Dancers Robe includes what appears to be a Quapaw ceremony. Originally in the Musee de l’Homme in Paris, France, they were later moved to the Musee du quai Branly-Jacques Chirac, also in Paris. The Three Villages Robe, according to the authors of Arkansas Made, “depicts several scenes that include a representation of the eighteenth-century Quapaw villages that were situated on the lower Arkansas River and a European-style settlement …

Rock Art, Native American

Rock art is a term archaeologists use to describe images on rock surfaces created both prehistorically and historically. Arkansas has one of the richest concentrations of rock art in eastern North America, primarily in the Ozark and Ouachita mountain areas of the state, with a concentration in the central Arkansas River Valley. Rock art has also been discovered along the Mississippi River escarpment toward the eastern part of the state. Most rock art is found in bluff shelters, but it also occurs on exposed boulders, bedrock outcrops, and in caves. Along with the other archaeological resources in the state, rock art is important to understanding the lives of Native Americans living within the region during the pre-colonial era. Rock art …

Stump Saw

Consisting of vernacular technology that combined a horizontally positioned circular saw blade with an automobile engine, the stump saw was used to clear rice fields of virgin timber during the early twentieth century. In northeast Arkansas perhaps as early as 1909, the stump saw became essential to rice cultivation after farmers had planted all the region’s treeless prairie and had turned to post oak flats and sloughs for potential rice acreage. In order to cut off trees at or below ground level, farmers developed a device consisting of a circular saw blade, probably a cast-off from a sawmill, fixed horizontally on a sled and driven by a gasoline engine. The rear axle and differential of a Model A Ford (or …

Tompkins, Rosie Lee

aka: Effie Mae Martin Howard
Rosie Lee Tompkins was the assumed name of Effie Mae Howard, a widely acclaimed African-American quiltmaker whose prodigious talents catapulted her to the forefront of contemporary art. As New York Times critic Roberta Smith put it, “Tompkins’s textile art [works]…demolish the category.” Effie Mae Martin (Effie Mae Howard was her married name) was born in Arkansas on September 6, 1936, to Sadie Bell and MacCurey Martin. The oldest of fifteen half-siblings, she grew up picking cotton and helping her mother piece quilts in rural Gould (Lincoln County), where poverty forced the family to use every available scrap of cloth. Howard never completed high school. She moved to Richmond, California, in 1958 and took courses in nursing at various local institutions, …

Ward, Essie Ann Treat

Essie Ann Treat Ward, who is often referred to as “Grandma Moses of the Ozarks,” produced paintings that are fascinating examples of primitive art, a style of folk painting. From a field of one hundred and fifty folk painters, she was chosen one of the top ten in Arkansas, receiving recognition and appreciation in her native region and state. In 1970, she participated in the Smithsonian Festival of American Folklife in Washington DC. Today hundreds of her paintings in the Miranda and Hezzakiah series hang in public and private art collections around the world. Essie Treat was born on October 20, 1902, to Henry and Parthenia Treat in the community of Nubbin Hill (Searcy County). Her father was a farmer …

Whittling

The term whittling refers to “the making of useful things.” It is a folkway with roots deep in the heritage of the people of the Ozarks country of Arkansas and parts of southern Missouri. In the heyday of whittling, pocket knives were given to boys at a young age as a rite of passage. A son given a pocket knife by his father learned “facts of life,” such as how to sharpen a knife properly. Only as recently as the 1960s has whittling been considered a vintage activity. The required tools for whittling are a pocket knife, a piece of wood, an idea, and the knowledge of how to sharpen a knife. The choice of wood varies; cedar, linden, catalpa, …