Entry Category: Folklore and Folklife - Starting with R

Rabies, a viral disease that attacks the body’s central nervous system, causes convulsions, hallucinations, and an inability to swallow liquid—hence its earlier name, hydrophobia, or “fear of water.” Until Frenchman Louis Pasteur’s 1885 creation of a vaccine that successfully treated rabies in humans, the bite from a rabid animal almost always resulted in a death excruciating to endure and horrifying to witness. Pasteur’s discovery was publicized in Arkansas, but it would be almost thirty years before the state had a treatment center using his methods, though it lasted only briefly. Two months after Pasteur’s breakthrough, four New Jersey children who had been bitten by a rabid dog traveled to France and were cured using the vaccine. News of these boys’ …

The Rackensack Folklore Society was organized for the purpose of perpetuating the traditional folk music of the people of Arkansas, particularly in the mountainous area of the north-central part of the state. Stone County, located in the area, was unique in having music-making families throughout its boundaries who founded the base of the Rackensack organization. The society was begun by Lloyd Hollister, a doctor, and his wife, Martha. They came from the Little Rock (Pulaski County) area in 1962 and settled in the Fox (Stone County) community. Hollister set up his medical practice in Mountain View (Stone County) with Howard Monroe, a noted surgeon in the area. The Hollisters attended various musical sessions in the Fox community and joined in the …

Vance Randolph was a folklorist whose wide-ranging studies in the traditional culture of the Ozarks made him famous with both academic and popular readers from the 1930s to the present. Vance Randolph was born on February 23, 1892, in Pittsburg, Kansas, to John Randolph, an attorney and Republican politician, and Theresa Gould, a public school teacher. He was the eldest of three sons. Born to the respectable center, he was as a young man attracted to the margins, to the rich ethnic and cultural diversity and radical politics of the region’s mining communities. He dropped out of high school and published his first writing for leftist periodicals such as the socialist Appeal to Reason, published in nearby Girard. He graduated …

Otto Ernest Rayburn was a writer, magazine publisher, and collector of Arkansas and Ozark lore. Vance Randolph, in his introduction to Rayburn’s autobiography, Forty Years in the Ozarks (1957), defined Rayburn as a “dedicated regionalist” and added, “There is no denying that, in the period between 1925 and 1950, Rayburn did more to arouse popular interest in Ozark folklore than all of the professors put together.” Otto Rayburn was born on May 6, 1891, in Hacklebarney settlement, Davis County, Iowa, to William Grant Rayburn, a farmer, and Sarah Jane Turpin Rayburn. The family soon moved to Woodson County, Kansas, where Rayburn grew up. In 1909–1910, he attended Marionville College in Marionville, Missouri. In the spring of 1917, Rayburn bought forty …

Few people survive a hanging, but Dr. Richard Rhodes—a plantation owner in Dallas County, living just south of present-day Sheridan (Grant County)—may have survived two. Richard Clinton Rhodes was born in North Carolina in 1801 to a prominent family. He received medical training in Europe and then opened a practice in Robeson County, North Carolina. There, he invested in land and quickly became a rich plantation owner with nearly 200 slaves. Rhodes married Susan Davis Russell when she was sixteen and he was forty-six. The Rhodes family’s oral history says that while practicing medicine in North Carolina, Rhodes delivered Susan as a newborn. The Russell family could not afford to pay Rhodes’s medical fee, so the baby girl was offered …

Irene Robertson was an interviewer and writer for the 1930s Federal Writers’ Project in Arkansas. She preserved the life stories and experiences of former slaves—or, in some cases, their children—then living in the counties of Crittenden, Lee, Monroe, Phillips, Prairie, and St. Francis. Using her straightforward style of reporting, she prepared 290 out of a total of 300 slave narratives produced in the above counties. She also prepared approximately 116 narratives from interviews with older white residents. Irene Robertson was born in May 1893, possibly in Troy in Greenwood County, South Carolina, near the “Hard Labor” section of Edgefield County, where her parents had lived. Robertson’s father, Samuel Elisha Robertson, a farmer, was born in Edgefield County; he was a …

The “Robes of Splendor” are a pair of mid-eighteenth-century animal-hide robes believed to have been painted by a Quapaw artist and given to French colonists. The Three Villages Robe is believed to depict the French settlement at Arkansas Post and a battle scene between two groups of Native Americans, while the Buffalo Dancers Robe includes what appears to be a Quapaw ceremony. Originally in the Musee de l’Homme in Paris, France, they were later moved to the Musee du quai Branly-Jacques Chirac, also in Paris. The Three Villages Robe, according to the authors of Arkansas Made, “depicts several scenes that include a representation of the eighteenth-century Quapaw villages that were situated on the lower Arkansas River and a European-style settlement …

Rock art is a term archaeologists use to describe images on rock surfaces created both prehistorically and historically. Arkansas has one of the richest concentrations of rock art in eastern North America, primarily in the Ozark and Ouachita mountain areas of the state, with a concentration in the central Arkansas River Valley. Rock art has also been discovered along the Mississippi River escarpment toward the eastern part of the state. Most rock art is found in bluff shelters, but it also occurs on exposed boulders, bedrock outcrops, and in caves. Along with the other archaeological resources in the state, rock art is important to understanding the lives of Native Americans living within the region during the pre-colonial era. Rock art …

“The Rock Island Line” is a world-famous song—recorded by the likes of Johnny Cash, Harry Belafonte, and Grandpa Jones—the earliest known performances of which are two 1934 recordings made in Arkansas prisons. A tall tale in rhyme, the song’s subject is a train so fast that it arrives at its destination in Little Rock (at 8:49) before its departure from Memphis (at “half past nine”). The collectors responsible for the first recordings were an unlikely pair. John Lomax was a white, Mississippi-born college teacher already well known as a folksong collector, while Huddie Ledbetter was a black, Louisiana-born singer and guitar player just released from prison and soon to be even better known as “Leadbelly.” Arriving in Arkansas in late …