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Entries - Entry Category: Folk - Starting with R

Rackensack Folklore Society

The Rackensack Folklore Society was organized for the purpose of perpetuating the traditional folk music of the people of Arkansas, particularly in the mountainous area of the north-central part of the state. Stone County, located in the area, was unique in having music-making families throughout its boundaries who founded the base of the Rackensack organization. The society was begun by Lloyd Hollister, a doctor, and his wife, Martha. They came from the Little Rock (Pulaski County) area in 1962 and settled in the Fox (Stone County) community. Hollister set up his medical practice in Mountain View (Stone County) with Howard Monroe, a noted surgeon in the area. The Hollisters attended various musical sessions in the Fox community and joined in the …

Riddle, Almeda James

Discovered by a ballad collector in the 1950s, Almeda James Riddle of Greers Ferry (Cleburne County) became a prominent figure in America’s folk music revival. Her memory of ballads, hymns, and children’s songs was one of the largest single repertories documented by folksong scholars. After two decades of concerts and recordings, she received the National Heritage Award from the National Endowment for the Arts for her contributions to the preservation of Ozark folksong traditions. Almeda James was born on November 21, 1898, in the community of West Pangburn (Cleburne County). She was the fifth of eight children of J. L. James, a timber worker, and Martha Frances Wilkerson. In 1916, she married H. Pryce Riddle and started family life near Heber …

Rock Island Line, The

“The Rock Island Line” is a world-famous song—recorded by the likes of Johnny Cash, Harry Belafonte, and Grandpa Jones—the earliest known performances of which are two 1934 recordings made in Arkansas prisons. A tall tale in rhyme, the song’s subject is a train so fast that it arrives at its destination in Little Rock (at 8:49) before its departure from Memphis (at “half past nine”). The collectors responsible for the first recordings were an unlikely pair. John Lomax was a white, Mississippi-born college teacher already well known as a folksong collector, while Huddie Ledbetter was a black, Louisiana-born singer and guitar player just released from prison and soon to be even better known as “Leadbelly.” Arriving in Arkansas in late …