Hubert Carl (Hugh) Ashley lived a life revolving around country and western music and public service. He wrote and recorded some of the earliest known recordings of Ozark folk music, was one of radio’s original “Beverly Hill Billies,” and wrote songs for five members of the Country Music Hall of Fame. Hugh Ashley was born on September 27, 1915, near Wiley’s Cove (Searcy County). He was the first of four boys born to Hobart Ashley and Lillie Holsted Ashley. Music was a part of Ashley’s life from an early age. At seven, he rode a mule five miles from Sulphur Springs (Searcy County) to Leslie (Searcy County) for his first piano lesson, and at thirteen, he joined his father’s musical …
Bobby “El Charro Negro” Butler broke down barriers as the first African American to become an award-winning Tejano singer. Butler’s career spanned over fifty years and included two Grammy nominations as part of the Tortilla Factory band. Robert (Bobby) Butler was born in Pine Bluff (Jefferson County) on October 14, 1937, to Cora Butler; the name of Butler’s father is unknown. His mother worked as a maid for wealthy white families who often mistreated her because of the color of her skin. His family moved to Fort Worth, Texas, and by seven he was picking cotton alongside his mother and younger brother. In the fields, he learned to sing the Tejano music the Mexican laborers taught him. In 1956, Butler …
Arkansas native Iris DeMent has used her distinctive voice to sing folk, country, bluegrass, and gospel music. She has written songs about family, religion, people, places, and political ideas in a time when few were doing so. Iris DeMent was born on January 5, 1961, in Paragould (Greene County), the youngest of fourteen children. Her parents, Patrick Shaw and Flora Mae DeMent, were farmers on an island in the St. Francis River outside Paragould. When Iris was three, her father lost his factory job after a failed attempt to unionize, and the family hit hard times, sold the farm, and moved to Buena Park, California. They lived there until she was seventeen and then moved to Sacramento, California. Eventually, her …
Connie Dover is a musician who has received critical accolades internationally for her interpretations of traditional English, Irish, and Scottish folk music, as well as folk ballads of the American West. She also is an accomplished arranger, composer, and poet. She is the founder and owner of the independent record label Taylor Park Music Inc. Constance Gail (Connie) Dover was born in Jonesboro (Craighead County) on October 10, 1958, to Doil Lee Dover, who was a businessman, and Janice Steed Dover, an educator and social activist. Her younger brother, Jeffrey (Jef), became a musician and restaurateur. The family moved frequently during her early childhood before settling in Kansas City, Missouri, in 1969. After graduating from North Kansas City High School …
aka: James Corbett Morris
Jimmy Driftwood was a prolific folk singer/songwriter who wrote over 6,000 songs. He gained national fame in 1959 when Johnny Horton recorded Driftwood’s song, “The Battle of New Orleans.” Even after Driftwood had risen to fame, he continued living in rural Stone County, spending most of his time promoting and preserving the music and heritage of the Ozark Mountains. Jimmy Driftwood was born James Corbett Morris in West Richwoods (Stone County) near Mountain View (Stone County) on June 20, 1907, to Neal and Allie Risner-Morris. He was given the name Driftwood as the result of a joke his grandfather had played on his grandmother. When the two went to visit their new grandson, Driftwood’s grandfather arrived first and wrapped a bundle …
Emma Hays Dusenbury was an outstanding traditional singer; her work is represented by some 116 songs in the nation’s leading folksong archive at the Library of Congress. Emma Hays was born on January 9, 1862, probably in Habersham County or Rabun County, Georgia, to William Jasper Hays and Mary Jane Pitts. She came to Arkansas with her parents and four siblings in 1872, staying first in Crittenden County but eventually settling in Baxter County, near Gassville. Sometime after 1880, she married Ernest Dusenbury, who was from Illinois. Two years later, they had a daughter. In about 1894 or 1895, she suffered a serious illness that left her blind. Before settling near Mena (Polk County) in about 1907, Dusenbury lived an itinerant life; …
aka: Elton White
In the mid- to late 1980s, Elton and Betty White were highly visible Little Rock (Pulaski County) street musicians and eccentrics, recognized for their sexually explicit ukulele songs and their flamboyant wardrobe of sombreros and skimpy swimwear. Betty White was born Betty Crandall in 1927 in Mabelvale (Pulaski County), one of seven children of the town’s postmaster and his wife. In 1946, after graduating as valedictorian of Mabelvale High School, she married air force sergeant Scotty White, with whom she had a son, Sammy. Together, they traveled the nation and the world. After returning to Arkansas, she found secretarial work with the law firm of Wright, Lindsey & Jennings, for whom Bill Clinton was then practicing. Following a diagnosis of …
Sandford C. (Sandy) Faulkner is an iconic individual from Arkansas’s early statehood. Although he never held elective office, his political and economic activity made a significant contribution to the development of the young state. Moreover, Faulkner is largely responsible for the story of the “Arkansas Traveler,” which has shaped the image of Arkansas since the 1840s. Sandy Faulkner was born on March 3, most likely in 1803, in Scott County, Kentucky, to Nicholas Faulkner and Sally Fletcher Faulkner. Much confusion surrounds Faulkner’s early history; many sources spell his first name “Sanford,” and one researcher even suggests that at birth he was given the name “Sanderson.” The 1850 census appears to record his age as forty-four, suggesting that he was born …
Folk music is part of a society’s “unofficial culture,” much of which is passed on through face-to-face contact among close-knit people. Early folk music in Arkansas falls into two broad categories: folksongs (which do not present a narrative) and ballads (which tell a story). Folksong collectors sought to record and preserve this traditional music in the twentieth century, with Vance Randolph, John Quincy Wolf, and others working in Arkansas. The lyric folksong form of the blues developed in the Arkansas and Mississippi Delta regions in the late nineteenth century among the first generation of African Americans to come of age after slavery. Protest music of the early to mid-twentieth century, dealing with labor and social conditions—as well as war, civil rights, and …
Both a local and national celebrity, Ollie Eva Woody Gilbert, known popularly as Aunt Ollie, performed with Jimmy Driftwood, Woody Guthrie, and many other folk musicians who have come to define the voice of the Great Depression. Venues ranged from friends’ and family members’ front porches and living rooms in the Ozark Mountains to Cow Palace in San Francisco, California; the Grand Ole Opry in Nashville, Tennessee; and Madison Square Garden in New York City. The eighth of thirteen children of James (Jim) Franklin Woody and Mary Minerva Balentine Woody, Ollie Eva Woody was born on October 17, 1892, in the Hickory Grove area of Stone County. Shelearned to play the banjo at the age of five. Her instrument was made …
Lee Elhardt Hays was a singer best known as the big man who sang bass with the folk music group the Weavers. According to historian Studs Terkel, the Weavers were responsible for “entering folk music into the mainstream of American life.” Among the songs he is most known for are: “If I Had a Hammer,” “Roll the Union On,” “Raggedy, Raggedy, Are We,” “The Rankin Tree,” “On Top of Old Smoky,” “Kisses Sweeter than Wine,” and “Goodnight Irene.” Lee Hays was born on March 14, 1914, in Little Rock (Pulaski County) to a strict Methodist preacher, William Benjamin Hays, and Ellen Reinhardt Hays. Hays’s father was serving as editor of the Arkansas Methodist at this time but later went back to …
Known as the “Whittling Fiddler,” the “Stradivarius of the Ozarks,” or more simply, the “Fiddle Maker,” Violet Brumley Hensley, a fiddle maker and musician most of her life, was designated as the 2004 Arkansas Living Treasure by the Arkansas Arts Council. According to the Arts Council, this designation recognizes Hensley as an outstanding Arkansan who has elevated her work as a fiddle maker to the status of art and who actively preserves and advances the art form. Violet Brumley was born near Mount Ida (Montgomery County) on October 21, 1916, to George Washington Brumley and Nora Springer Brumley. The Brumleys had two other daughters. She followed in her father’s footsteps as a musician, and at the age of fifteen, Brumley …
Daniel Ivan Hicks was a cross-genre singer/songwriter specializing in a type of music he referred to as “folk jazz.” He served as front man for his band, the Hot Licks, off and on since 1968. Dan Hicks was born on December 9, 1941, in Little Rock (Pulaski County), the only child of Ivan L. Hicks—a career military man—and Evelyn Kehl Hicks. The family moved to northern California when Hicks was five years old. The family settled in Santa Rosa, and Hicks resided in the area north of San Francisco for the rest of his life. Hicks started playing drums in grade school and played snare drum in his high school marching band. At age fourteen, he was accompanying high school …
aka: Goat Woman of Smackover
Rhena Salome Miller Meyer—better known as “the Goat Woman”—lived in Smackover (Union County) for over fifty years. Her sometimes reclusive nature, numerous pet goats, and considerable musical talents as a “one-woman band” all contributed to her folk-figure status in the region. Rhena (sometimes spelled Rhene) Miller was born in Orwin, Pennsylvania, on July 26, 1905. Her father, John R. Miller, was a Quaker who worked on a dairy farm and had a traveling medicine show that promoted the Seven Sisters Hair Tonic. He is said to have used young Rhena as a model in advertising the hair-growth tonic; however, as with much of her life story, no evidence has been found for this. Her mother, Katie Kessler, was an opera …
Elmer Wayne Mikel was a bootlegger during Prohibition and later became a self-published author who wrote books and essays about his criminal life and his experiences at the notorious Tucker State Prison Farm (now the Tucker Unit of the Arkansas Department of Correction) in Jefferson County in the 1930s. Mikel was also a songwriter who wrote about Arkansas subjects, including the deadly Greenwood (Sebastian County) tornado of 1968. Elmer Mikel was born on October 8, 1905, in Jenny Lind (Sebastian County), one of ten children of George Elmer Mikel and Amanda Featherston Mikel. George Mikel, a Missouri native, was active in the United Mine Workers of America and ran as a socialist candidate for governor of Arkansas in 1912. Elmer Mikel attended high school but …
Richard “Curly” Miller was a renowned musician who lived in Kingston (Madison County). He and his wife, Carole Anne Rose, co-founded the band the Old 78’s. He was also a noted organic farmer, establishing Sweden Creek Farm with Rose in the deep woods of the Ozark Mountains. Richard Miller was born on August 10, 1954, to John C. Miller and Roberta Beck Miller in Baltimore, Maryland, although he was raised in Penfield, New York. He played classical violin as a child, rock-and-roll guitar as a teenager, and three-finger Leo Kottke–style guitar during his one semester at the State University of New York at Potsdam. Guitarists Doc Watson and Norman Blake inspired him to learn flat-picking guitar, while Frankie Gavin and …
Mary Celestia Parler was responsible for developing and implementing the most extensive folklore research project in Arkansas history. She was a professor of English and folklore at the University of Arkansas (UA) in Fayetteville (Washington County) and the wife of noted Ozark folklore collector Vance Randolph. Through her vast knowledge and appreciation of Arkansas culture, she enabled many future generations to glimpse the state’s cultural history, much of which remains only in the stories, songs, and images she collected with the help of her students and assistants. Mary Parler was born on October 6, 1904, in Wedgefield, South Carolina, the daughter of a country doctor and farmer, Marvin Lamar Parler, and a local historian, writer, and teacher, Josie Platt Parler. Mary had …
The Rackensack Folklore Society was organized for the purpose of perpetuating the traditional folk music of the people of Arkansas, particularly in the mountainous area of the north-central part of the state. Stone County, located in the area, was unique in having music-making families throughout its boundaries who founded the base of the Rackensack organization. The society was begun by Lloyd Hollister, a doctor, and his wife, Martha. They came from the Little Rock (Pulaski County) area in 1962 and settled in the Fox (Stone County) community. Hollister set up his medical practice in Mountain View (Stone County) with Howard Monroe, a noted surgeon in the area. The Hollisters attended various musical sessions in the Fox community and joined in the …
The Rackensack Folklore Society, Pulaski County (RFSPC) was founded in mid-1963 by noted political cartoonist and avocational folk musician George Fisher and his associates; it is the oldest continuously operating folklore society in Arkansas. Fisher was encouraged by his friend Jimmy Driftwood, who had helped to found the original Rackensack Folklore Society in Mountain View (Stone County) a few months earlier. In a 1988 interview, Fisher said, “About the same rationale was behind the Little Rock-based group as the Stone County group. We wanted to preserve the sound of a people who settled this country, to play valid, traditional music and keep it as pure as possible.” Besides Fisher, other charter members included Frank Johnson, Kenneth Blessing, and Warren Wilhite. …
Discovered by a ballad collector in the 1950s, Almeda James Riddle of Greers Ferry (Cleburne County) became a prominent figure in America’s folk music revival. Her memory of ballads, hymns, and children’s songs was one of the largest single repertories documented by folksong scholars. After two decades of concerts and recordings, she received the National Heritage Award from the National Endowment for the Arts for her contributions to the preservation of Ozark folksong traditions. Almeda James was born on November 21, 1898, in the community of West Pangburn (Cleburne County). She was the fifth of eight children of J. L. James, a timber worker, and Martha Frances Wilkerson. In 1916, she married H. Pryce Riddle and started family life near Heber …
“The Rock Island Line” is a world-famous song—recorded by the likes of Johnny Cash, Harry Belafonte, and Grandpa Jones—the earliest known performances of which are two 1934 recordings made in Arkansas prisons. A tall tale in rhyme, the song’s subject is a train so fast that it arrives at its destination in Little Rock (at 8:49) before its departure from Memphis (at “half past nine”). The collectors responsible for the first recordings were an unlikely pair. John Lomax was a white, Mississippi-born college teacher already well known as a folksong collector, while Huddie Ledbetter was a black, Louisiana-born singer and guitar player just released from prison and soon to be even better known as “Leadbelly.” Arriving in Arkansas in late …
The ballad, or narrative folksong, usually titled “The State of Arkansaw” has been a principal exhibit in Arkansas’s recurrent laments about its disreputable image. It is a clear example of the expressive culture of the late nineteenth century that depicted Arkansas pejoratively. The story, which the ballad relates in first person, has its protagonist—known by several names, including “Sanford Barnes” and “John Johanna”—leave his home, most frequently “Buffalo town” or “Nobleville town,” to seek employment. He hears of job opportunities in Arkansas, sets out by railway, and arrives in an Arkansas community, variously identified as Fort Smith (Sebastian County), Van Buren (Crawford County), Little Rock (Pulaski County), or Hot Springs (Garland County). There he meets a “walking skeleton” who conducts …
Trout Fishing in America (TFIA), based in northwestern Arkansas, is a musical performance duo consisting of Keith Grimwood, who plays bass and sings, and Ezra Idlet, who sings and plays acoustic guitar and banjo. The name of the duo comes from the seminal 1960s experimental novella by Richard Brautigan. Trout Fishing in America has been nominated for four Grammys and has released more than twenty albums. Grimwood has been a bass player since the age of eleven. He earned a degree in music from the University of Houston and performed with the Houston Symphony. Idlet, a guitarist since the age of fourteen, performed as a strolling musician at a Houston dinner theater. The two met as members of the Houston-based …
Lucinda Williams is one of America’s most critically acclaimed songwriters and recording artists, as well as the daughter of poet Miller Williams. She has won three Grammy Awards and is considered a leading light of the so-called “alt-country” movement. Her songs, with their simple chord structures and gorgeous melodies, incorporate elements of rural blues, traditional country, and rock and roll. They are distinguished by evocative, plain-spoken lyrics that investigate the human mystery. In 2002, Time magazine called her “America’s best songwriter.” Lucinda Williams was born on January 26, 1953, in Lake Charles, Louisiana. Her mother was Miller Williams’s first wife, Lucille Day. With her professor father moving from job to job, Williams grew up in southern towns such as Vicksburg, …
A college professor and self-trained folklorist, John Quincy Wolf Jr. left a lasting legacy in the mid-South folk music world through his intrepid collecting and field recording and his broad-ranging scholarship. Wolf was born in Batesville (Independence County) on May 14, 1901, the younger of the two children of John Quincy Wolf Sr. and Adele Crouch Wolf. Known as Quincy to distinguish him from his banker father, he spent the first twenty-one years of his life in Batesville, earning his bachelor’s degree from Arkansas College (now Lyon College) in 1922. One year later, Wolf received an MA in English at Vanderbilt University and returned to his alma mater to teach English and history for much of the next decade, with occasional …