Arkansas has a long history of cross dressing, often called dressing in “drag.” Drag shows in the state have their roots in rural folk dramas often used as fundraisers for community institutions. Starting in the latter half of the twentieth century, drag in Arkansas became more professional in nature and is closely linked with gay and lesbian communities across the state.
Before World War II, typical drag productions were staged as part of folk plays or farcical beauty contests. These were advertised as “womanless weddings” or “womanless beauty pageants” designed to serve as fundraisers for community institutions such as churches or schools. Of these, the womanless wedding was by far the favorite in many small towns and hamlets across Arkansas. The wedding would include a man—usually a burly, unshaven, large one—dressed as a bride intending to marry another man. In addition to the role of the bride, all traditionally female parts in the production were played by males.
In 1918, the tiny cotton town of Marked Tree (Poinsett County) staged a “womanless wedding” at a local Methodist church. The event was a benefit for the American Red Cross. The advertisement in the Marked Tree Tribune encouraged townspeople to “buy liberally of the tickets” and went on to say that the production would include a local judge, a college professor, and other well-known townsmen—surely to the delight of those in attendance. This aspect, the mocking of prominent locals against a recognizable backdrop, was a key component to rural folk dramas. Essentially, the play takes an everyday and highly familiar occurrence—a wedding—and mixes into it a great deal of cross dressing, resulting in an absurd and easily produced comedy. In August 1944, guards and other camp personnel staged a womanless wedding for the Japanese Americans interned at the Rohwer Relocation Center in southeast Arkansas. Photographs from the night’s show feature a large cast of camp officials staging a production for a packed house of interned Japanese Americans. According to the camp’s newspaper, the Rohwer Outpost, the production left the audience “rolling in the aisles.”
World War II brought drag out of the rural confines and began to display it for a wider audience in the state. Military-sponsored drag shows were popular both on and off base. Arkansas’s military bases of Camp Pike, Camp Joseph T. Robinson, and Camp Chaffee (now Fort Chaffee) all hosted military drag shows during World War II. According to camp newspapers, these shows were quite popular and were performed regularly. Officers and enlisted men at Arkansas encampments enjoyed shows such as “Queens of the Companies” and “The It Girls.” Though these shows were popular on base, they were hardly confined there. One military drag show, “This is the 66th,” headlined three nights at Robinson Center Music Hall in Little Rock (Pulaski County). The shows were intended to boost civilian morale.
After the war’s end, drag fell out of favor as a mainstream form of entertainment. During the decades to follow, drag gradually began to be seen as an expression of queer community, with gay bars hosting regular drag nights. The most notable of these clubs is the Discovery night club in Little Rock. Nestled in an otherwise abandoned industrial park along the Arkansas River, the Discovery club is owned and operated by Norman Jones. Jones is himself a famous drag queen in Arkansas and throughout the South. Jones won the first Miss Gay American Pageant in 1973. In 1975, Jones bought the rights to the lucrative pageant and brought the production to Little Rock. With this move, drag began to become more professional, more glitzy, and almost entirely divorced from its rural roots. Nevertheless, drag remains popular in gay bars and clubs across Arkansas, such as in Texarkana (Miller County), Fayetteville (Washington County), and Fort Smith (Sebastian County). Drag queens in Arkansas seek to master the craft as a profession and often tour the state with their acts while vying for pageant titles.
For additional information:
“Ad Personnel Present Play, Womanless Wedding.” Rohwer Outpost, August 19, 1944.
“Circus Daze.” Camp Robinson News, February 2, 1945.
Harvey Goodwin Collection. University of Arkansas at Little Rock Archives, Little Rock, Arkansas.
Newton, Esther. Mother Camp: Female Impersonators in America. Chicago: University of Chicago Press, 1972.
“Solider-Actor Trying on Dress for Part in Play, Wows’em in Shop” Covered Wagon (Camp Pike), August 8, 1941.
Thompson, Brock. The Un-Natural State: Arkansas and the Queer South. Fayetteville: University of Arkansas Press, 2010.
“Wedding Play a Comedy Hit.” Rohwer Outpost, August 26, 1944.
“Womanless Wedding.” Marked Tree Tribune, May 3, 1918.
The Library of Congress
Last Updated: 04/18/2013