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White men with horses and dog standing outside "Sam Coy Feed and Sale Barn" building

Sam Coy Feed and Sale Barn

Traffic passing by multistory hotel building with neon sign on top and scaffolding around it on city street

Sam Peck Hotel Remodel

Two log cabin buildings with brick chimneys on grass with trees

Sam Terry House

Rain gauge and storage cans on hill side in wooded area

White man with glasses and mustache in suit and tie

Samuel M. Taylor

Watercolor fire escape and windows with only shadows painted lit areas represented by bright paper

San Francisco Windows

black and white photo of group of round scales on top of an apple

Blank "Applicant's Certificate" document

Sanatorium Applicant's Certificate

Information page with section written by "Dr. J. D. Riley, Superintendent"

Sanatorium Flyer

Sanders family plot at cemetery with rows of gravestones in the background

Sanders Cemetery

Covered entrance to single-story building with brick columns

Sanders Library

White men women and children cutting ribbon with large scissors

Bald white man with black-framed glasses in suit and tie

"While sweeping out Parker's school" newspaper clipping

Sanders Lynching Article

Pharoah Sanders

"Bluesin' for John C," Performed by Pharoah Sanders

African American man dressed in colorful shirt, sunglasses, and cap holding saxophone

Pharoah Sanders

White man with arms crossed in suit and tie

Theodore Marcus Sanders

Arched entrance to cemetery with gravestones, trees behind it

Sandhill Cemetery

House with stone walls and three arches in front

June Sandidge House

Close-up of house with three stone arches in front and yard

June Sandidge House

Group of white men with horses pulling boiler tank on wagon

Storefront building with rusted metal roof stone chimney and covered porch on parking lot

Overgrown abandoned arched hut building in field

Sandtown Road Building

Barge on river with three signs on shore and walkway

Sans Souci Landing

River and boat landing with trees on opposite shore

Sans Souci Landing

"Syracuse priest is bishop's choice" newspaper clipping

Edwin Warren Saphore Article

White man in glasses standing with African-American woman in a dress and two white women wearing glasses

Older white man and woman cutting a ribbon being held up by white women

tw- story wooden house with Christmas wreath and white fence

Sarah Bird Northrup Ridge House

Grave marker bearing the inscription "Sarasen, Chief of the Quapaws, Died 1832, Age 97 Years, Friend of the Missionaries, Rescuer of Captive Children"

Sarasin's Tombstone

Mobile home with sign and street with house and trees in the background

Tall grass and trees on prairie

Saratoga Blackland Prairie Natural Area

portrait photo in oval frame of White man with beard in black suit

White man wearing bishop's robes inside a church

White man wearing glasses in black suit with white clerical collar

White man with glasses in suit jacket and tie

White man in suit and tie

J. V. Satterfield

White woman in long sleeved top sitting and smiling at table next to white man in tuxedo

J. V. Satterfield and Maureen O'Hara

White man in suit and tie

J. V. Satterfield

multistory building with windows and four columns in front

SAU Student Center

Round bell tower on college campus with trees and walking paths with benches and buildings under it

Framed picture of white woman with wide brimmed hat and article in newspaper

Brick building with four columns and glass doors

Saunders Museum

White man in hat with tattoos on stage with white crowd

"Savage" theater building with marquee on street

White man wearing baseball uniform squatting on grass

"Sawdust Bridge" historical marker

Sawdust Bridge Sign

Older white woman wearing a bonnet and dress with collar

two story brick building with covered entrance with sign saying "Hotel Saxon"

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Major support provided through a partnership with the Arkansas Department of Parks & Tourism.

Major funding provided by the Winthrop Rockefeller Foundation.

Special thanks to the Department of Arkansas Heritage.

Additional support provided by the Arkansas Humanities Council.

Additional support provided by the Arkansas General Assembly.

Additional support provided by the Arkansas Community Foundation.

Additional support provided by the Charles M. and Joan R. Taylor Foundation Inc.

This project is funded in part by a National Endowment for the Humanities (NEH) Sustaining the Humanities through the American Rescue Plan grant award.

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