Entries - Entry Category: Fiber Arts

Basket making is the process of interlacing short flexible fibers to form a container using a process of coiling, knotting, plaiting, or weaving. Early inhabitants of Arkansas such as the Caddo and Quapaw made and used baskets. Basket making has continued in modern times in Arkansas but for different reasons. At first, baskets were made for agricultural purposes; they later became objects of beauty—a fine craft acknowledged throughout the country and created for contemplation and decoration for museums and homes. Prehistoric baskets have been found in dry bluff shelters in the Ozark Mountains. Because traditional baskets are made of natural materials such as vines, grass, reeds, bark, or split wood, they are fragile and perishable and have not held up …

The history of the Gibson family of basket makers—which, as of 2009, has produced split white oak baskets for four generations—parallels the history of basket making in the United States. The split white oak basket is distinctive to the Ozarks and is woven from thin, flexible splints used as ribs and weavers. The Gibson family has continued the tradition of making baskets using handmade tools and natural materials. The characteristics of a Gibson basket are a heavy hand-carved handle, herringbone weave on the flat rectangular basket bottom, and construction without nails. Christopher Columbus “Lum” Gibson (1865–1947) reportedly began making baskets in the 1880s and is said to have had a blind man as a teacher. His workbaskets were sold door …

Willie Kavanaugh Hocker of Wabbaseka and Pine Bluff, both in Jefferson County, was a schoolteacher, poet, and active member of civic groups such as the Daughters of the American Revolution (DAR), the United Daughters of the Confederacy, and the Colonial Dames Society. She was also the designer of the Arkansas state flag, one of only two women in the United States who have had state flag designs adopted. Willie Hocker was born on July 21, 1862, in Madison County, Kentucky. She was the youngest child of William K. and Virginia Brown Hocker, who moved their family to Arkansas in 1870, settling in Dudley Lake Township near Wabbaseka. Her father was a farmer/planter who, according to the Goodspeed history, had served with …

Helen Martin King was one of Arkansas’s most unique artists, developing the almost-forgotten craft of rug hooking. She became a designer, teacher, and businesswoman, creating thousands of original designs, teaching classes, and creating cottage industries within the state. Helen Martin was born at Powhatan (Lawrence County) on September 20, 1895, the only child of John William Martin, a prosperous landowner and lumberman, and Clara Isabelle Norment Martin. Martin’s family moved to Batesville (Independence County) when she was a young child, and she acquired her elementary and high school education at the preparatory school of Arkansas College (now Lyon College). In 1913, at the age of eighteen, she married a local merchant, Fitzhugh Hail. Within a year of her marriage, both …

Leon Albert Niehues is a highly regarded basket maker in the United States and internationally. In 2002, he was chosen by his peers as one of the top twenty-eight fiber artists working the “new basket” form in the United States. Leon Niehues (pronounced: “nee house”) was born to Edwin and Rosalita Niehues on July 13, 1951, in Seneca, Kansas, and raised on a farm with six siblings, including a twin. Niehues attended the University of Kansas in Lawrence for two years. Niehues married Sharon Coffey on May 1, 1974, in Lawrence, and the couple spent their honeymoon in Arkansas at a Madison County hunters’ cabin. They liked the state so much that they decided to stay. They bought forty acres …

The “Robes of Splendor” are a pair of mid-eighteenth-century animal-hide robes believed to have been painted by a Quapaw artist and given to French colonists. The Three Villages Robe is believed to depict the French settlement at Arkansas Post and a battle scene between two groups of Native Americans, while the Buffalo Dancers Robe includes what appears to be a Quapaw ceremony. Originally in the Musee de l’Homme in Paris, France, they were later moved to the Musee du quai Branly-Jacques Chirac, also in Paris. The Three Villages Robe, according to the authors of Arkansas Made, “depicts several scenes that include a representation of the eighteenth-century Quapaw villages that were situated on the lower Arkansas River and a European-style settlement …

Rosie Lee Tompkins was the assumed name of Effie Mae Howard, a widely acclaimed African American quiltmaker whose prodigious talents catapulted her to the forefront of contemporary art. As New York Times critic Roberta Smith put it, “Tompkins’s textile art [works]…demolish the category.” Effie Mae Martin (Effie Mae Howard was her married name) was born in Arkansas on September 6, 1936, to Sadie Bell and MacCurey Martin. The oldest of fifteen half-siblings, she grew up picking cotton and helping her mother piece quilts in rural Gould (Lincoln County), where poverty forced the family to use every available scrap of cloth. Howard never completed high school. She moved to Richmond, California, in 1958 and took courses in nursing at various local …