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Arkansas Overview

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Pre-European Exploration, Prehistory through 1540 European Exploration and Settlement, 1541 through 1802 Louisiana Purchase through Early Statehood, 1803 through 1860 Civil War through Reconstruction, 1861 through 1874

Post-Reconstruction through the Gilded Age, 1875 through 1900 Early Twentieth Century, 1901 through 1940 World War II through the Faubus Era, 1941 through 1967 Divergent Prosperity and the Arc of Reform, 1968–2022

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Media - Starting with Q

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Rainbow over city street with parked cars and multistory brick church with tower on the right

QQUM Church Exterior

Interior of large church sanctuary with stained glass windows behind balcony

QQUM Church Interior

Multistory brick church building with tower

QQUM Church Tower

"Four will die in the chair today" newspaper clipping

Quadruple Execution Article

Nine white men in hats

Quantrill's Guerrillas

Multistory white building with cupola and red tile roof

Quapaw Bathhouse

Mural featuring a Native American man in traditional garb

Quapaw Man Mural

Hand written script document with column of names and "x" signatures with folding creases

Quapaw Treaty of 1824

Native American women in traditional clothing and men at mound site with white camera crew and African-American park ranger

Quapaw Tribe Visiting Site

Two story wooden houseboat moored at riverbank

Older white man in slacks jacket and cap touching a large crystal and more crystals next to a chain link fence

Quartz Crystal Formation

White tourists in open pit mine

Quartz Crystal Mining

Young African-American woman sitting with crown and dress with three young African-American women in dresses behind her

Queen and Court

Multistory building lit up from the inside with brick chimneys stone walls and hexagonal covered porch on grass with walking path

Queen Wilhelmina Lodge

Aerial view mountain geography state park visitor center with surrounding road cars pedestrians

Queen Wilhelmina State Park

Arkansas map with red dot in Polk County and explanation in green text

Queen Wilhelmina State Park: Park Location

One-eyed face with big ears signed "Old Bill Cush" and dated "Sunday, August 11, 1878"

Quesenbury Caricature

Two-story house with covered porch fence and bare trees

Quesenbury House

Old white man with beard in suit and bow tie

William Quesenbury

White man with white hair in suit

White man standing in bleachers at sports stadium

White man in military uniform sitting in chair with legs crossed

Two-story stone house with large windows and green foliage

Quigley's Castle

White man standing and white woman sitting in interior room

two smiling white women holding a piece of a quilt

Quilt Block Presentation

Large floral quilt hanging between two trees

White woman talking into a microphone about a red and white quilt on stage

Multistory brick church building with arched multicolored windows and arched doorway on street corner

Painting five vertical windows with interior curtains and diagonal cast shadow dividing composition

Church building with cross above covered entrance and steeple with parking lot in front

Quitman Methodist Church

Single-story storefront building painted pink with awning

Quitman Post Office

Concrete building with skylight and arched entrance on empty parking lot

Quitman High School

Stone building with chimney and steps on grass

Quitman Home Economics Building

Multistory building with tower, arched entrance, and windows

Quitman Male and Female College

Street scene with wooden buildings and cars on a dirt road

Quitman Street Scene

Line of single-story storefronts painted various colors on street

Quitman Street Scene

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Major support provided through a partnership with the Arkansas Department of Parks & Tourism.

Major funding provided by the Winthrop Rockefeller Foundation.

Special thanks to the Department of Arkansas Heritage.

Additional support provided by the Arkansas Humanities Council.

Additional support provided by the Arkansas General Assembly.

Additional support provided by the Arkansas Community Foundation.

Additional support provided by the Charles M. and Joan R. Taylor Foundation Inc.

This project is funded in part by a National Endowment for the Humanities (NEH) Sustaining the Humanities through the American Rescue Plan grant award.

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