Entry Category: Music - Starting with G

Garage Bands

With the arrival of the Beatles on American shores in 1964, the “British Invasion” became a national pop-culture phenomenon. Representing the second generation of rock and roll, wave after wave of English rock groups—such as the Rolling Stones, the Animals, and the Who—followed the Beatles during the next two years. Teenagers across the United States were inspired to form four- or five-member bands patterned after their British role models. Because they often practiced in garages, these amateur groups came to be known as “garage bands.” Like many mid-sized American cities, Little Rock (Pulaski County) witnessed a mid-1960s explosion in the number of neighborhood teenage groups, all competing for school, fraternity house, or country club engagements. Other cities and towns in …

Gilbert, Ollie Eva Woody

Both a local and national celebrity, Ollie Eva Woody Gilbert, known popularly as Aunt Ollie, performed with Jimmy Driftwood, Woody Guthrie, and many other folk musicians who have come to define the voice of the Great Depression. Venues ranged from friends’ and family members’ front porches and living rooms in the Ozark Mountains to Cow Palace in San Francisco, California; the Grand Ole Opry in Nashville, Tennessee; and Madison Square Garden in New York City. The eighth of thirteen children of James (Jim) Franklin Woody and Mary Minerva Balentine Woody, Ollie Eva Woody was born on October 17, 1892, in the Hickory Grove area of Stone County. Shelearned to play the banjo at the age of five. Her instrument was made …

Gladys McFadden and the Loving Sisters

Gladys McFadden and the Loving Sisters were an African-American gospel group based in Little Rock (Pulaski County). At its artistic peak in the 1970s, the group’s adventurous, contemporary style put its sound outside the realm of traditional gospel music. The group—which included McFadden as well as Jo Dumas, Ann James, and Lorraine Leeks—was inducted into the Arkansas Black Hall of Fame in 2003. Gladys McFadden was born on September 10, 1934, in Little Rock. Her father, Aaron Williams, was a pastor, and her mother coached their church choir. McFadden sang in that choir until age nine, when she founded a group she christened the Loving Sisters, as the group included one of McFadden’s sisters, as well as a friend who …

Glosson, Lonnie

Lonnie Glosson popularized the harmonica nationwide and had a hand in several hit songs during a time when radio stations employed harmonica orchestras. From a young age, Glosson’s ability and versatility on the harmonica stood out. Lonnie Elonzo (Marvin) Glosson was born the seventh of eleven children on February 14, 1908, in Judsonia (White County) to Cora Busby Glosson and George H. Glosson. He later changed his middle name to Elonzo because he did not like the uncle after whom he was named. Glosson’s mother taught him the harmonica after he earned money to buy the instrument by picking cotton: “She showed me how to play ‘Home Sweet Home,’ and I took it from there.” His father owned a boat …

Glover, Henry Bernard

A trailblazing African-American record executive and businessman, musician, and songwriter, Henry Glover is best known for his work as a producer and A&R (Artist and Repertoire) man for King Records. Over thirty years, Glover worked with a wide array of artists, African-American and white, across popular genres. Among his most famous songs are “Drown in My Own Tears,” a No. 1 record for Ray Charles, and “Blues Stay Away from Me,” which he co-wrote.   Henry Bernard Glover was born in Hot Springs (Garland County) on May 21, 1921, to John Dixon Glover, who was a bathhouse attendant, and Pearl Ware Glover, a homemaker; he had two siblings, Willie and Nelson. Although his non-musician parents were unenthusiastic about his musical pursuits, Glover spent much of his youth playing the cornet and piano and soaking up gospel music, as well as the country, jazz, and …

Gospel Music

Musicologists and journalists have often provided conflicting definitions of the term “gospel music.” Early African-American gospel was a blend of nineteenth-century hymns, spirituals, field songs, ragtime, and blues, while the religious music performed by white artists—an obvious antecedent to what would be labeled Southern gospel—incorporated folk, traditional hymns, and singing convention standards. Today’s Christian music is often categorized by genre, reflecting the social, racial, ideological, and generational diversity of the Christian community. This diversity is shown in a contrast of pervading traditions, varied approaches to lyric writing, and stylistic exchanges between the sacred and secular. Throughout the evolution of gospel music, Arkansas has remained at the forefront, producing noteworthy pioneers of yesterday and molding trendsetters of today. Several key figures …

Green, Al

Al Green is one of Arkansas’s best-known singers, with a career that has ranged from rhythm and blues (R&B) to pop to gospel and a combination. Green’s distinctive falsetto singing style continues to thrill fans old and young, and he remains an active soul singer from an era that also produced Sam Cooke, Otis Redding, and Marvin Gaye. Al Greene (he later dropped the last “e”) was born on April 13, 1946, in Forrest City (St. Francis County) and grew up in a large African American family that sang gospel music. When his sharecropper father moved the family to Grand Rapids, Michigan, Green was only nine but sang with his siblings in the Green Brothers. When he began listening to …