Entries - Entry Category: Music - Starting with A

Allison, Luther

Blues guitarist and singer Luther Allison was born in Arkansas, but like many of his contemporaries in the rural South, he rose to fame in cities far from his original home. His style exemplified the soulful blues of the west side of Chicago, Illinois, where he moved with his family as a child. Later, in 1977, when the popularity of the blues faded in the United States, he began touring Europe extensively and became an international star. Born in Widener (St. Francis County) on August 17, 1939, Luther Allison was the fourteenth of fifteen children, all of whom were musically inclined, born to parents who were cotton farmers. He was exposed to gospel music as a young child, although he …

Altheimer, Joshua

Joshua Altheimer was one of the Delta’s most prolific blues pianists. Altheimer mastered the emerging boogie-woogie style of the 1930s as he accompanied some of the legendary blues musicians of his era. Joshua Altheimer was born on May 17, 1911, in Pine Bluff (Jefferson County) to Silas Altheimer and Verdis Pruitt Barnes Altheimer. He played his first years in Arkansas, performing during the late 1920s. It is not clear whether Altheimer knew blues legend “Big Bill” Broonzy during this period, who was from his home county and who was raised just a few miles from where he was born. By the 1930s, Altheimer had moved to Chicago, Illinois, and was playing with the likes of John Lee “Sonny Boy” Williamson, Washboard Sam, …

Arkansas [Album]

Arkansas is an album written and recorded by John Oates, a New York–born inductee of the Rock and Roll Hall of Fame who was half of the duo Hall and Oates. He was accompanied by a group of legendary Americana musicians collectively known as the Good Road Band. Oates called the album the “sum total” of his many musical influences, including rock, folk, blues, and country. Released in 2018, the ten-song album began as a tribute to blues musician Mississippi John Hurt but soon grew to “represent the dawn of American popular music,” as Oates said. The title track “Arkansas” was inspired by Oates’s experiences visiting the former company town of Wilson (Mississippi County). John Oates was born in New …

Arkansas Chamber Singers

The Arkansas Chamber Singers (ACS) is vocal ensemble dedicated to performing and promoting classical and contemporary choral repertoire. Membership in the nonprofit group is by audition. The ACS began when Bill Clinton, elected as the state’s governor in 1978, appointed Massachusetts resident Paul Levy to head the Arkansas Department of Energy. Levy’s wife was Barbara Abramoff Levy, director of the Newton Choral Society and the conducting assistant to the Tanglewood Festival Chorus, an adjunct to the Boston Symphony Orchestra. She wanted to continue her involvement in music, and in 1979, with the support of the Bill and Hillary Clinton, she joined the faculty of the University of Arkansas at Little Rock (UALR) and organized a new chamber ensemble named the …

Arkansas River Blues Society

The Arkansas River Blues Society (ARBS), based in Little Rock (Pulaski County), began its life as the Arkansas Blues Connection (ABC) in June 1984 as Arkansas’s first chapter of the National Blues Foundation. Based in Memphis, Tennessee, the National Blues Foundation seeks to “preserve blues heritage, celebrate blues recording and performance, expand worldwide awareness of the blues, and ensure the future of the uniquely American art form.” The Arkansas River Blues Society seeks to preserve the legacy of Arkansas blues and to provide a place for budding musicians to keep the blues alive. What became the Arkansas River Blues Society began in a Little Rock blues club. A group of local blues enthusiasts—including John Craig, Steve Logan, Jeff Weeden, and …

Arkansas Symphony Orchestra

The Arkansas Symphony Orchestra, based in Little Rock (Pulaski County), provides opportunities for the residents of the state to hear and to perform quality instrumental music. The current orchestra, which incorporated in 1966, is the successor of several previous and shorter-lived attempts to create a sustainable performing group. Most reports of musical performances in early Arkansas history are of vocal performances, brass ensembles, concerts by amateur groups, recitals by pupils of individual teachers, or church-sponsored events. No regularly performing instrumental groups available for public enjoyment appear in reports until after the turn of the twentieth century. During the early years of 1900s, music clubs over the state, as well as individual music lovers, became vocal about the desirability of musical education for …

Arkansas Waltz

In 1917, the Arkansas General Assembly designated “Arkansas,” a patriotic anthem composed by Eva Ware Barnett, as the state’s first official song. It remained as such until the late 1940s, when a copyright dispute led to the state’s adoption of “The Arkansas Traveler” as the state’s musical symbol. In 1963, the dispute was settled amicably, and “Arkansas” resumed its former place as the state song—a title it would hold until the late 1980s. “Arkansas” was not, however, without its challengers during this second tenure. One challenger managed to garner a degree of legislative recognition: in 1971, the Arkansas State Senate voted to designate “Arkansas Waltz” by Bill Urfer of Heber Springs (Cleburne County) and Cletus “Slim” Jones of Benton (Saline …

Ashley, Hubert Carl (Hugh)

Hubert Carl (Hugh) Ashley lived a life revolving around country and western music and public service. He wrote and recorded some of the earliest known recordings of Ozark folk music, was one of radio’s original “Beverly Hill Billies,” and wrote songs for five members of the Country Music Hall of Fame. Hugh Ashley was born on September 27, 1915, near Wiley’s Cove (Searcy County). He was the first of four boys born to Hobart Ashley and Lillie Holsted Ashley. Music was a part of Ashley’s life from an early age. At seven, he rode a mule five miles from Sulphur Springs (Searcy County) to Leslie (Searcy County) for his first piano lesson, and at thirteen, he joined his father’s musical …